This blog was established as a celebration of musician, poet, artist and my friend Vic Chesnutt. The goal being an exploration of the legacy that Vic left behind through his music, art and passion. I will attempt a year long journey in which I will critique, review, ponder and express my thoughts in a daily output, adding my humble opinion to Vic's bold endeavors.
Friday, January 8, 2010
"Sqeak"- Left To His Own Devices, 2001 Spin Art
In 2001, Vic released a 'solo' record, if you will, of 4-track demos, pro-tooled arrangements and other various sundries. It was in stark contrast to his two previous albums, 'The Salesman and Bernadette' and "Merriment' which both featured big production and very polished sounds."Left to His Own Devices" is one of my favorite albums. It feels very personal and has this beautiful raw quality to it. The songs are a varied collection of old and new material- ranging from quirky (Deadline, Caper, and this one) to morbid (My Last Act) to social commentary (Distortion) to nostalgic (Hermitage, Look At Me.)
Squeak is an old song. The only live recording that I have dates back to 1992. The album arrangement sounds like it could be a demo from that period, as well. It's a simple acoustic song, probably recorded on a four-track, with slight overdubs, including some whistling, and guitar noodling.
Lyrically, it's a funny little song that's very observant and reflective. One can only speculate to the references in this song, but I believe it focuses not only on the 'on stage' side of playing, but the 'off stage' side too. The verses seem to refer to the downtime experienced when not on stage- the 'sitting around, watching TV, observing people' time. Vic was amazingly adept at highlighting situations like those, and he could turn a phrase with such ease. By focusing on little details, or drawing the essence from a situation, he was able to make his lyrics come alive.
The chorus is an obvious reference to Vic's uncomfortable stage presence. Anybody who ever saw him perform knows that he was self deprecating and nervous, no matter the setting. That was part of his charm. He wasn't unable to command the stage, or control a room, though. He may not have seen his appeal, but no matter how "bleak" his situation, or "squeaky" his performance...Vic was a one of a kind showman, and always worth the effort. That is what I miss.
Here's the studio version:
And the live 1992 version:
SQUEAK
the wall came down, yes I saw a kid chiseling. the reporter is a new age junkie, keeps his needles in a pyramid
camera on his shoulder and chips on the pavement a hundred german dollars, well don't that just about pay my rent
yes I am weak, outlook is bleak yes I'm on stage commencing to squeak yes I'm on stage commencing to squeak.
well the picture is flickering a surge of some kind if you shake that thing more than 3 times you're liable to go blind pretty shoes and a sparkly hat eyeballing crass commercialism, well I couldn't live like that
I am weak, outlook is bleak yes I'm on stage commencing to squeak yes I'm on stage commencing to squeak.
the picture is flickering, a surge of some kind if you shake that thing more than 3 times you're likely to go blind! allies, enemies, summits to climb! warsaw pacts, remaking maps, yes it's all pink on the inside!
yes I am weak, outlook is bleak yes I'm on stage commencing to squeak yes I'm on stage commencing to squeak
I talked to Vic for the last time in June 2009 -- he signed my copy of "Left to his own Devices". He told me that this was his favourite record he ever made... I said it was mine, too.
the other thing that strikes me about Left To His Own Devices is that, to my ears, it is a much closer approximation of Vic's live sound. Seeing him live in '93 and then listening to West of Rome, my first thought was, where is all that swooshy trippy phase, delay and distortion, all of which sounded totally unique coming out of a nylon-string classical. Songs like the incredibly beautiful favorite "FISH" are great examples of this. Also ntable on this album is the track "We Should Be So Brave", which, to my knowlege, is the only song he wrote that directly dealt with people's attitudes toward physical disability, which had special resonance for little wheelchair-bound me. When he sang "I don't need to look in the mirror to know just where I SIT in the scheme of things" and he got closer to the mic and kind of spit out the word SIT, I thought to myself, this is the coolest mo therfucker alive.
I talked to Vic for the last time in June 2009 -- he signed my copy of "Left to his own Devices". He told me that this was his favourite record he ever made... I said it was mine, too.
ReplyDeleteIn Amongst The Millions is one of my absolute favorite Vic songs along with Squeak.
ReplyDeleteI love that the live version has the guitar riff of Degenerate.
ReplyDeleteThanks for the live version, which I'd never heard. Left to His Own Devices is one of my favorite Vic records, too. And again, thanks for the site.
ReplyDeletethe other thing that strikes me about Left To His Own Devices is that, to my ears, it is a much closer approximation of Vic's live sound. Seeing him live in '93 and then listening to West of Rome, my first thought was, where is all that swooshy trippy phase, delay and distortion, all of which sounded totally unique coming out of a nylon-string classical. Songs like the incredibly beautiful favorite "FISH" are great examples of this. Also ntable on this album is the track "We Should Be So Brave", which, to my knowlege, is the only song he wrote that directly dealt with people's attitudes toward physical disability, which had special resonance for little wheelchair-bound me. When he sang "I don't need to look in the mirror to know just where I SIT in the scheme of things" and he got closer to the mic and kind of spit out the word SIT, I thought to myself, this is the coolest mo therfucker alive.
ReplyDelete